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Instructor Bios

Corbin Phillips, Dance Arts Director

Corbin is a Dancer and Choreographer from Champaign, IL. He graduated from The University of Iowa with a BFA in dance and a focus on Choreography. He grew up training locally and then spending time with schools such as Ballet Chicago, Tampa Ballet, Next Generation Ballet, Joffrey Chicago, and Dance Theater of Harlem. Through college he trained in various modern and contemporary styles while continuing his ballet training. His choreographic works explore the contrast between classical ballet lines and idiosyncratic movements while creating a fluidity between the two. His works have been presented at Dance Arts Spring Performance, the University of Iowa, and the YAGP Chicago Regional Competition.”



Jessica Bengtson, Dance Arts Assistant

Jessica began her training in Decatur, Illinois where she was an exam candidate with the Royal Academy of Dance. At age eleven, she was accepted to the National Academy of Arts in Champaign where she trained until its closure in the spring of 1987. Jessica has trained and performed under a variety of notable teachers to include Petrus Bosman, David Keener, Robert Dicello, and Mark Schneider. Jessica has been a Dance Arts instructor since 1989 where she has taught all levels of Royal Academy of Dance ballet syllabus classes, as well as all levels of Adult Ballet.

Cameron Davis

Cameron Davis is a student at the University of Illinois studying Elementary Education with minors in Psychology and Spanish. She has been competitively Irish dancing since she was in 1st grade, and has been teaching Irish dance for three years. During her free time, Cammi loves to sing, hang out with her sorority sisters, volunteer with elementary students through an after school reading program, spend as much time outside in nature as possible, and, of course, dance.



Whitney Havice

Whitney Havice began her dance training in ballet at the age of five in the Vaganova method at the Lee School of Ballet in Champaign, IL. and since then has studied, trained, and performed in numerous other styles of dance. She has choreographed, directed and/or appeared in over fifty musical theatre productions locally and in the Chicago area for the Champaign Urbana Theatre Company, Parkland College, the Station Theatre, Brown Paper Box Co, and others. In addition, she has served as the Dance Rehearsal Director for the LyricTheatre at the UI, and as the Musical Theatre Dance instructor at the Little Theatre on the Square.  She has also taught dance classes in a variety of styles at other studios in the Champaign-Urbana area, and is the class coordinator for the Dance for People with Parkinsons program at Krannert Center for the Performing Arts.



Tanya Picard

Tanya Picard is a teacher and choreographer from the Chicago area who took her first dance class at the age of 6, her first Giordano and Luigi jazz classes at the age of 10, and has never stopped moving since.  In New York, in addition to studying jazz with Luigi, she has studied modern at the Martha Graham Dance Center and tap with Bob Audy and Charles “Cookie” Cook.  A lifelong student of Gus Giordano, she has been awarded scholarships for several of her students to take master classes at the Giordano studios. Tanya is currently an active participant in Chicago Human Rhythm Project and studies Duncan technique at the Joffrey Ballet. She is actively involved in Duncan Dance Chicago.

Tanya did her graduate work in theatre at the University of Minnesota in Minneapolis where she served as the Artistic Director for Pasticcio Dance Ensemble, a regional contemporary company. Her areas of academic focus are devised theatre, literary analysis, and dance history.  While in Minneapolis, she also worked as choreographer for the Renaissance Faires in Chicago and Boston, creating the original “Gypsy Dancers,” and choreographed more musicals than she cares to count.  Returning to Chicago, in addition to teaching technique classes, serving as a movement specialist for an early childhood program, and directing an adult tap company, she received grants to produce two original works:  Amelia and Leonardo and Elements.  In 2009, she organized a two-day Luigi workshop taught by Luigi’s assistant, Francis Roach, and produced Never Stop Moving, a special performance honoring Luigi’s influence.

Tanya is the Artistic Director of Impulse Tap Ensemble in Bloomington, IL, and for Impulse Arts in Champaign, IL.  Impulse is devoted to classical rhythm tap and cross-cultural percussive dance.  Since 2011, Tanya has created unique pieces that fuse text, tap, modern, and jazz dance and have been presented at the Spurlock Museum at the University of Illinois. The ensemble has studied with nationally renowned tap artist and teacher Jimmy Payne, Jr. of Chicago, who has created several tap pieces for the company.  Most recently, Tanya did the tap choreography for CUTC’s production of Mary Poppins and Parkland’s Anything Goes, and was invited to do an artistic residency in Luigi Technique for Bristol Ballet.

Tanya’s favorite quote is:  “To dance, put your hand over your heart and listen to the sound of your soul.”

Rachel Maramba

Rachel Maramba is trained in ballet, tap, jazz, and modern, and has been teaching and choreographing dance for all ages for over five years. She is currently studying Dance at the University of Illinois. Her previous training includes Galina Dance Studio, and Joffrey Academy of Dance. She worked as a Teaching Assistant in the Creative Dance for Children program through the Department of Dance at University of Illinois, as well as working as an intern for the Department of Dance. In her classes, she hopes to inspire a love of dance and movement, as well as helping her students grow in skills applicable beyond the dance studio.

Faith Stanton

A native of Jenison, Michigan, Faith started dancing before should could even walk! She was on her Junior High and High School dance teams where she learned and competed in styles such as Pom, Jazz, and Hip Hop. After attending the Debbie Allen Dance Summer Intensive, she decided to try competition dance and explored styles like Lyrical, Ballet, Tap, and Modern. She participated in competition dance for two years and is now in her Junior year as a dance major at the University of Illinois in Urbana-Champaign studying Ballet, Modern, Hip Hop (House), and African. Not only does she enjoy dancing, but she has a passion for teaching and seeing that passion transcend to her students. When she is not in the studio, Faith can be seen drawing and painting, baking, and singing!


Meghan Uppinghouse

Meghan Uppinghouse danced with the Champaign Park District for 12 years. She has completed the Royal Academy of Dance program. Her favorite role she has played was Queen Titania in a Mid-Summer Night’s Dream as well as being a part of a contemporary piece entitled, “A yessong.” She loves to teach creative movement and ballet levels 1 and 2.


Anneka Vetter

Anneka began taking classes at age 8 at Mainstream Dance in Covington, Georgia, where she later joined the pre-professional company Covington Regional Ballet. Under the tutelage of Jaime Robtison, she was trained primarily in Cecchetti, Vaganova and Balanchine styles, and also studied contemporary and modern choreography. When she was 15 she received a scholarship to study a rigorous Vaganova syllabus at Pennsylvania Academy of Ballet with Margaritta de Saa White and John White. Later at 16, Anneka attended the Boston Ballet Summer Dance Program, also under a scholarship, and was able to take class under notable teachers such as Shannon Parsley, Jared Redick, and Christopher Hird. Throughout her pre-professional career she performed in roles such as Clara (Nutcracker), Snow Queen (Nutcracker), Lilac Fairy (Sleeping Beauty), and Cinderella (Cinderella). While still taking dance recreationally, Anneka also loves staying active with cycling and running.

James Shaffnit, Accompanist

James Schaffnit has been playing for dance classes since 1979 and has played for company classes for American Ballet Theatre, Ballet Arizona, Nevada Ballet Theater, and Hubbard Street Dance Company.  He was on staff at California Institute of the Arts from 1994-96 and is currently on staff at the University of Illinois and Springer Cultural Center in Champaign.  James has also worked as an exam pianist for the Royal Academy of Dance since 1991 and currently plays more than half of the Vocational Graded Exams in the United States.  He holds degrees in piano performance from Arizona State University and California State University, Northridge.

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